Approaching the discharge of her second album Odyssey and its unique companion exhibition, the Camden City-born composer, bandleader and saxophonist exhibits no signal of being bothered by the load of expectation, her relaxed tone defying her typically animated syntax. It is hardly stunning, although, provided that the central theme of the document is connecting to 1’s internal voice, following a private path, being current, and resisting the pull of exterior noise. Odyssey, it appears, is an ongoing course of.
“In no matter I do, I let the music lead me,” says Garcia, reflecting on how the ideas in her work start to emerge. “I’ve obtained a specific pocket book that has staves in it and a clean web page the place I could be like, ‘What occurred at the moment? What story am I writing about? What colors are coming to thoughts?’ Then, after I come again later, I’ve obtained a very sturdy basis to drag from, relatively than making an attempt to recollect how I used to be feeling a 12 months in the past.”
Garcia could also be a lifelong pupil of music, however the jazz-trained sax virtuoso storytelling attracts from any and all sources, together with movie and visible artwork. “I believe [influence] most likely occurs in fairly a unconscious method,” she explains. “It is likely to be me taking a photograph of a chunk at an exhibition that basically strikes me and years later going, ‘What was that portray I wish to draw for at the moment? That appears like my vitality, let’s see what comes out if I write to that…’” She pauses. “I’m fairly a sponge, and I believe most creatives are tremendous spongey beings. It’s what makes you in a position to assemble a spot for individuals to understand their feelings and really feel held in that area.”
Leave a Reply