Geordie Greep will launch his debut solo album ‘The New Sound’ on October 4th.
The London musician was a key a part of black midi, and inadvertently knowledgeable followers of the avant rock band’s demise – for now, at the very least – throughout an IG Dwell.
Internet hosting a collection of reveals at North London area MAP Studios, Geordie Greep has begun embarking on his solo period. Debut album ‘The New Sound’ is out on October 4th, launched by Tough Commerce Data (who in fact labored with black midi on their output).
In a notice, Geordie Greep feedback…
The principle theme of the file is desperation; you don’t hear an unreliable narrator however somebody who’s kidding themselves that they’ve every part below management, however they don’t.
With recording ‘The New Sound’, it was the primary time I’ve had nobody to reply to. And with each impulse I had, I used to be capable of fully comply with it by to its conclusion. Being in a band (black midi), we regularly have this ‘we will do every part’ feeling, however you’re additionally type of restricted in that method, and typically it’s good to do one thing else, to let go of issues.
In all, greater than 30 session musicians took half within the making of the album, throughout two continents – with work going down in São Paulo and London.
Geordie Greep continues: “Among the tracks we had recorded already, elsewhere, but it surely simply wasn’t proper, so we re-recorded them with new folks. Half of the tracks have been performed in Brazil, with native musicians pulled collectively on the final minute. They’d by no means heard something I’d performed earlier than, they have been simply within the demos I’d made. The monitoring was all performed in a single, perhaps two days. Then we did the overdubs later, in London.”
New music ‘Holy Holy’ is an apt place to begin – you possibly can hear lingering shades of black midi’s furiously surreal complexity in there, however there’s additionally one thing totally different, one thing singular.
Faucet in under.
Picture Credit score: Yis Child
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