“It’s a extremely difficult scene,” Jordan confesses. “I believe it may be actually troublesome to go from enjoying there on an area degree and attending to the highest of that pile after which to transition into nationwide territory. It’s laborious to get out of there. Lots of people don’t tour, lots of people get caught. They name it the velvet rut.”
The “velvet rut” adage is, as we speak, ironic, not bearing fairly the identical weight it used to. Whereas Austin might as soon as have been — and, musically, nonetheless is in some methods — an undercurrent of New York, Chicago, Nashville, and LA, massive tech migrations and tax breaks have began to change the socioeconomic cloth of town at a speedy fee. As Jordan says: “All the pieces obtained so bougie.”
Jordan has now left town for greener pastures, particularly these of dive bars, open areas, and low-cost Mexican meals. He spends his days in Lockhart, an hour exterior the Austin bustle, having fun with the simplicity. And but, he assures me, Good Seems to be remains to be an Austin band at coronary heart and in follow.
These are dichotomies Good Seems to be faces head-on with Lived Right here For A Whereas, the long-awaited comply with as much as Bummer Yr that dropped this summer time on high quality Austin label Keeled Scales. Written even earlier than Bummer Yr was launched, the file chronicles Jordan — who’s credited because the group’s most important lyricist, with Ames and Dan Duszynski taking over manufacturing roles — persevering with to grapple with the complexities of the locations he calls dwelling, the individuals he’s cherished in these locations, and even his personal body of reference.
“White Out,” for instance, offers with the altering façade of Austin most explicitly, meditating unabashedly on speedy gentrification. Different tracks are extra delicate. On “If It’s Gone” — and on many different tracks throughout Good Seems to be’ discography — Jordan wrestles his personal spirituality, a theme I virtually miss on first pay attention however choose up as soon as I realise the droning vocals that fade out with the monitor are usually not, actually, ad-libs however “oms.”
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